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<!DOCTYPE ArticleSet PUBLIC "-//NLM//DTD PubMed 2.7//EN" "https://dtd.nlm.nih.gov/ncbi/pubmed/in/PubMed.dtd">
<ArticleSet>
<Article>
<Journal>
				<PublisherName>Teaching English Language 
 and Literature Society of Iran 
 (TELLSI)</PublisherName>
				<JournalTitle>Teaching English Language</JournalTitle>
				<Issn>2538-5488</Issn>
				<Volume>1</Volume>
				<Issue>1</Issue>
				<PubDate PubStatus="epublish">
					<Year>2007</Year>
					<Month>01</Month>
					<Day>01</Day>
				</PubDate>
			</Journal>
<ArticleTitle>Motif of Justice in The Revenger’s Tragedy A Close Study of Revenge and Justice in Cyril Tourneur’s The Revenger’s Tragedy</ArticleTitle>
<VernacularTitle>موضوع اصلی</VernacularTitle>
			<FirstPage>129</FirstPage>
			<LastPage>157</LastPage>
			<ELocationID EIdType="pii">113040</ELocationID>
			
			
			<Language>EN</Language>
<AuthorList>
<Author>
					<FirstName>Maryam</FirstName>
					<LastName>Beyad</LastName>
<Affiliation>University of Tehran, Iran</Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2005</Year>
					<Month>03</Month>
					<Day>21</Day>
				</PubDate>
			</History>
		<Abstract>The genre of revenge tragedy has been an obsession with most writers throughout literature of different ages, starting from ancient Greek drama as seen in the works of three major tragedians, Aeschyus, Sophocles and Euripides and later dominant in the drama of the 16&lt;sup&gt;th&lt;/sup&gt; and 17&lt;sup&gt;th&lt;/sup&gt; c. England. The thematic significance of revenge became especially popular at the hands of the Jacobean dramatists. This paper endeavours to explore this ancient theme of revenge in the play &lt;span style=&quot;text-decoration: underline;&quot;&gt;The &lt;/span&gt;Revenger’s Tragedy by Cyril Tourneur, a Jacobean dramatist who exposes political manipulation during the course of the play and parallel to that the ultimate destruction of the avenger – Vindice whose mission is to uproot corruption but in vain, and this notion is explicit in the very title of the play.</Abstract>
			<OtherAbstract Language="FA">موضوع اصلی</OtherAbstract>
		<ObjectList>
			<Object Type="keyword">
			<Param Name="value">damnation</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">hell</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Evil</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">revenge</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Justice</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Corruption</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Power</Param>
			</Object>
		</ObjectList>
<ArchiveCopySource DocType="pdf">https://www.teljournal.org/article_113040_342056c56263f934a9a937f340832fd9.pdf</ArchiveCopySource>
</Article>
</ArticleSet>
